Enigmatic New York publisher and private bookshop Fulton Ryder — founded by artist Richard Prince — has been captivating us with their Tumblr snapshots of rare and fascinating cultural fragments. We wanted to take a closer look at their collection of books, manuscripts, and counterculture collectibles, and they were kind enough to allow us a peek. More
The Book Lovers is a long term project about novels written by visual artists. It is divided into the following installments: a collection of novels, a parallel online database, a series of exhibitions, a performance program, and a symposium. The collection includes a total of around 140 titles, and it has been acquired by m hka, Museum of Contemporary Art in Antwerp, Belgium.
January 25 – March 9, 2013
Claes Oldenburg put together an odd collection of kitsch, found objects, souvenirs, trivial everyday pieces and toys plus material and prototyps for his art works. The Mouse Museum was first shown in 1972 at the documenta 5 in Kassel.
Claes Oldenburg was born in 1929, in Stockholm. His father was a diplomat, and the family lived in the United States and Norway before settling in Chicago in 1936. Oldenburg studied literature and art history at Yale University, New Haven, from 1946 to 1950. He subsequently studied art under Paul Wieghardt at the Art Institute of Chicago from 1950 to 1954. During the first two years of art school, he also worked as an apprentice reporter at the City News Bureau of Chicago, and afterward opened a studio, where he made magazine illustrations and easel paintings. Oldenburg became an American citizen in December 1953. In 1956 he moved to New York and met several artists making early Performance work, including George Brecht, Allan Kaprow, George Segal, and Robert Whitman. Oldenburg soon became a prominent figure in Happenings and Performance art during the late 1950s and early 1960s. In 1959 the Judson Gallery exhibited a series of Oldenburg’s enigmatic images, ranging from monstrous human figures to everyday objects, made from a mix of drawings, collages, and papier-mâché. In 1961, he opened The Store in his studio, where he recreated the environment of neighborhood shops. He displayed familiar objects made out of plaster, reflecting American society’s celebration of consumption, and was soon heralded as a Pop artist with the emergence of the movement in 1962. Read more…
Seminar: The Museum as an Art Practice
16 November 2012, Krakow, Poland, 2pm – 7pm
National Museum in Krakow
The Main Building, no. 1, 3 Maja Avenue – Audiovisual Room
Organised by: Cricoteka and the National Museum in Krakow
Actors: Agency, The Archive of Tadeusz Kantor – Cricoteka, MoAA (Museum of American Art), MOLAF (Museum of Longing and Failure) and Antje Majewski & Alejandro Jodorowsky (screening).
The seminar aims to map out Kantor’s vision of a museum, as well as any reflections and actions in any way related to the exhibiting and collecting practices, in the context of the new mission of Cricoteka as an institution where the spectator, the artist, the creative process and the very work of art all become part of activities which straddle theatre, archive and museum. The tool used to achieve this goal will be a conceptual drawing derived from the intersection of different working methodologies within a museum treated as art practice, rather than merely as a space used to archive, secure or negotiate the shape of the canon within art history.
(curators: Ewa Tatar and Joanna Zielińska)
The Hand that Gives. A conversation between Alejandro Jodorowsky and Antje Majewski, Paris 2010
Sleep No More takes place at the fictional McKittrick Hotel, a reference to the film Vertigo. The hotel was completed in 1939 and “intended to be New York City’s finest and most decadent luxury hotel”. Six weeks before opening, and two days after the outbreak of World War II, the legendary hotel was condemned and left locked, permanently sealed from the public until it was restored and reinvented by Punchdrunk and Emursive. The McKittrick Hotel is actually three adjoining warehouses in Chelsea’s gallery district at 530, West 27th Street. The address is the former home of megaclubs Twilo, Spirit, Guesthouse, Home, Bed and more. The 100,000-square-foot (9,300 m2) space has been transformed by Punchdrunk into “some 100 rooms and environments, including a spooky hospital, mossy garden and bloody bedroom.”
Invisible Man is a novel written by Ralph Ellison in 1952. It addresses many of the social and intellectual issues facing African-Americans early in the twentieth century, including black nationalism, the relationship between black identity and Marxism, and the reformist racial policies of Booker T. Washington, as well as issues of individuality and personal identity.