Turkey’s most famous living novelist is holding a pair of dentures in a room packed with ephemera reflecting everyday Turkish life of the past three decades. Orhan Pamuk, winner of the Nobel Prize in Literature 2006 and author of My Name is Red (1998) and Snow (2002), is standing among a sea of objects—sewing machines, clocks, soda-bottle tops, buttons, lottery tickets, china dogs, birdcages, cigarette lighters and false teeth—that will soon go on display in The Museum of Innocence, a four-storey building in the Çukurcuma neighbourhood, central Istanbul. This venue, not just a chamber of curiosities, is the real-life incarnation of the museum painstakingly assembled and detailed in his book The Museum of Innocence (2008). The institution, which is due to open “[before] next year” according to Pamuk, will house 83 wooden boxes related to the book’s 83 chapters. Each box will be filled with items—both ready-made pieces and commissioned works of art—that reflect each chapter, thereby covering a 30-year period in the history of modern Istanbul from 1975 when the novel begins.