27 Gnosis by Michael Portnoy is inspired by the quest for a philosophical or taxonomic language which gained steam in the 17th Century at the hands of Leibniz, Dalgarno, Wilkins and others. The idea was to develop a language based on the reduction of all knowledge into an “alphabet of human thought”, comprised of irreducible semantic primitives or radicals, in some cases represented by symbols or characters, the combination of which would produce any possible idea. A feature of these languages distinct from any natural language is that within each word is revealed that word’s place within the entire taxonomy of genera, difference and species (ex: frenzi, a table game, is a type of game (renzil), which is a type of rest (renzi), which is the opposite of motion (enzi), which is a type of action, etc. etc.) The game borrows structurally from these languages’ ontologies as well as elements of contemporary conlangs (invented languages) such as aUI, Ro, Ilaksh and Ygede.
Performed at The Kitchen in March 2013
Video – 27 Gnosis by Michael Portnoy
Christian Louboutin’s “Fetish Ballerine” pump. The shoe is on display at the “Shoe Obsession” exhibit at The Museum at the Fashion Institute of Technology Museum in New York. The exhibition, showing off 153 specimens
More about the show
Allan McCollum was born in Los Angeles in 1944. In his twenties, McCollum briefly considered a career in theater and then attended trade school to study restaurant management and industrial kitchen work. In the late 1960s, he began to educate himself as an artist. Applying strategies of mass production to handmade objects, McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollum’s installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time. Viewing his work often produces a sublime effect—as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, composed of subtly different, distinct things. Engaging assistants, scientists, and local craftspeople in his process, McCollum embraces a collaborative and democratic form of creativity. His drawings and sculptures often serve a symbolic purpose—as surrogates, faithful copies, or stand-ins for people—and are presented theatrically, transforming the exhibition space into a laboratory where artifice and context are scrutinized. Economical in form, yet curious in function, his work and mechanical-looking processes are infused with humor and humility. Allan McCollum lives and works in New York. Website
Work on view at SeaPrt Museum in New York, photo. by David Maroto
From December 31, 1957 until December 31, 1967, the artist and writer Henry Darger (1892–1973) kept a series of six ring-binder notebooks with almost daily entries on the weather in his native Chicago. On the outside cover of the first book, Darger describes the project, with encyclopedic enthusiasm, as a “book of weather reports on temperatures, fair cloudy to clear skies, snow, rain, or summer storms, and winter snows and big blizzards—also the low temperatures of severe cold waves and hot spells of summer.”
Cabinet Magazine about Darger’s books
The Book Lovers is a long term project about novels written by visual artists. It is divided into the following installments: a collection of novels, a parallel online database, a series of exhibitions, a performance program, and a symposium. The collection includes a total of around 140 titles, and it has been acquired by m hka, Museum of Contemporary Art in Antwerp, Belgium.
The show at EFA Project Space New York
January 25 – March 9, 2013